The Authentic One-Stringed Canjo

It’s interesting how the truth always rises to the top. Over a year and a half ago, two separate unassociated private emails were received a few days apart by the sole proprietor and founder of the CanJoe Company (established 1994) and located in Blountville, TN, CanJoe*John. One email was from a well established author, the other from an award winning documentary film director, and each requested interest in presenting the detailed story of the cool one-string musical instrument, the “canjoe”, via their respective formats. Prior to either sending the emails, both had already done extensive research on the subject matter. They both had already looked at every angle, investigated every similar related internet web site, reviewed the internet’s published stories and backgrounds of every maker or supplier offering similar items that they could find, had discovered almost every venue where these instruments might now be sold, had individually overturned every stone, and both, then, coming to the table as already extremely well informed. Each had become so well self educated as nothing less than being somewhat individual experts of the subject matter by their discovery efforts. Through their efforts to dig up the whole scoop on the instrument’s history, they both also individually chose the same decision, as well, to focus on and to present the historical, well documented facts pertaining to the instrument.

The official, undisputed by those in the know, creator of the genuine, original “canjoe” instrument design was Herschel R. Brown (now deceased) of eastern NC, back in the early 1990s. From their very beginning, and even prior to any of these cool one-stringed musical instruments ever existing, Herschel was a personal friend of the man whom is now known around the globe as “CanJoe*John“. The instrument’s history between them is interlaced and connected from the “git go“, and paralleled throughout. It was Herschel who initiated the avalanche, and CanJoe*John, with Herschel’s direct assistance, who simultaneously, and by great personal effort and expense, covered the world in the snow drifts that have melted into the river of the, now, world wide “canjo” awareness, and of which, too, has been responsible for gradually becoming blossomed into so many various versions that are now being produced by, and sold by so many others.

Andrew King is a musician, a scholar, an award winning documentary film maker, director and producer, and one who had purchased a “canjo” musical instrument from an on line business. His curiosity piqued his interest in learning more about the history of these cool one-stringed musical instruments, so he began researching. Inevitably, Andrew discovered the stories about CanJoe*John. After his extensive, exhaustive researching efforts, once he found and delved more deeply into the CanJoe Company’s history, he was thoroughly convinced that he had finally discovered the detailed account that soundly rings of complete verity. He then decided that the story needed mass exposure through public disclosure, on film. He sent one of the email requests to CanJoe*John asking if he might do a film documentary about the story. Now, Andrew had a mission that he felt compelled to do this venture in such a way that in utilizing his skills would best get the message and the story conveyed. He, as co-producer and director, organized together a team of mass media experts; videographers, producer, consultants, animator, graphic designer, and film editor to form a well oiled machine of gifted artists who worked seamlessly together to make the film. They spent nearly a year of further research, planning, and then traveling extensively to meet with and videotape many key witnesses, and to do detailed interviews with CanJoe*John, following him in many public and private settings to capture the story on film, and upon taping many hundreds of gigabytes of film footage, they used all the data collected to create from it their documentary, “The CanJoe*Man“. The documentary that they created was debuted and premiered on April 22, 2017 at the highly prestigious Highbridge Film Festival in Wilmoth, KY. It won the “Best Documentary” award at that showing. The film has been released to many film festivals across the country for possible showing across America. Its acceptance is pending approvals soon to be announced. The film was also submitted for review by the National Academy of Arts & Sciences where it was awarded the highest honor in the nation in it’s category, “Winner: Short Form Non-Fiction/ 2017 Student Production Award”.

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More information about this film documentary can be followed on Face Book at: https://www.facebook.com/canjoenation/

Within a few days of Andrew King’s contact with CanJoe*John, another made contact via email. This individual and well established author, David Rowell, turned out to be interested in writing a book about the music business. His credentials include several previously published books, but too, he’s the current deputy editor of the Washington Post Magazine. One of his interests took him to Europe for extensive research on a particular drum that is hand made and highly desired by percussionists. He, himself, is a percussionist, and he traveled the world to collect data that became the subject of one of his books, but on another internet search for unique subject matter, he discovered the “canjo”. He had been perusing the YouTube videos when he came across those posted by CanJoe*John, www.youtube.com/canjoejohn. He was intrigued by the beautiful music that he heard coming from a single string pulled through a 12 oz beverage can on the videos, but especially he admired CanJoe*John’s version of “Over the Rainbow”. He followed up with the idea to write another book, this one about how musicians make their unique marks in the music industry. His yet to be titled book, after nearly two years of research, writing, touring with major artists, such as Peter Frampton, who is included in the upcoming book, and the internationally famous rock group YES, also in the book, and who is trying to be inducted into the Rock N Roll Hall of Fame, he recently spent a week shadowing CanJoe*John to add in what he considers his crown jewel chapter, about the “man on the can”. Below is a link to a recently published front page story in the Bristol Herald Courier newspaper of Bristol, TN.

http://www.heraldcourier.com/community/new-book-to-include-blountville-s-canjoe-john-alongside-peter/article_86ba6f84-221a-5f7f-9cd5-1bd036c7bdf9.html

David Rowell’s book will be published and available on the world wide market next year. It is a great honor for CanJoe*John that either or both these highly talented people took extensive time, money, effort, and interest in order to present to the world their discoveries of the true “canjo” story. More details will be made public via this blog site as to where, or when these publications will be available for purchase, viewing, or reading. To contact CanJoe*John, to inquire about CanJoe Company products, prices, or custom created instruments, call 423-323-0174, or 423-612-4320.

Nearly one year ago, CanJoe*John received an email from a young man who had purchased, on line from another maker, a one-stringed musical instrument using a can as its resonator and referred to as a canjo. He became curious as to the history of the original, genuine instruments and did quite a bit of research seeking out the truth. This particular individual, though, is one who is an intensely inquisitive investigator who has the uncanny knack of overturning virtually every stone to find what he’s seeking.

Andrew King is, without question, a creative genius. He just graduated a week ago from the highly prestigious Asbury University located just south of Lexington, in a small burg called Wilmoth, KY. Asbury University has the country’s foremost and highest reputation of providing the finest possible education toward degrees in mass media arts. Andrew just received his BA in that curriculum. His education and training has earned him high accolades and top accredited awards in documentary film making as producer, and director. The email that he sent was an inquiry asking to do a documentary on the history of the genuine, original canjoe instrument, including the story of CanJoe*John’s trek to performing the Grand Ole Opry, and the creation of the “Tour of Smiles“. With a crew of equally talented fellow Asbury students, Abby Witt (producer), Aaron Winneroski (animator, graphic design, cameraman), Landers Pannell (editor, cameraman), and Andrew (co-producer, director, cameraman) began filming the documentary in the early fall of 2016. They spent hundreds of hours filming, traveling, interviewing key people, editing and creating the documentary titled “The CanJoe*Man“. The movie documentary that they created premiered at the very prestigious 13th Annual Highbridge Film Festival to a sell out crowd of over one thousand viewers, including in attendance Matt Bevin, the governor of the state of Kentucky, and several top Hollywood actors and film makers in the audience. It was awarded “Best Documentary” at that festival. Among those interviewed and in the documentary are Mike Snider, a star of the Grand Ole Opry, Marcia Campbell, performer/dancer on the Grand Ole Opry and radio host of Nashville’s world famous WSM radio, Jacob Weiss, juggler extraordinaire/founder of “Playing By Air Productions” out of Nashville, and many other personal friends of CanJoe*John.

As a graduation gift from Andrew’s parents, John & Cindy King, they commissioned CanJoe*John to build a special instrument for him. CanJoe*John contributed to the creation by adding inlays and embellishments that made this gorgeous work of art a super special masterpiece level creation that relates uniquely to Andrew and his film making history. Below are some photos of his instrument:

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More about the movie documentary, “The CanJoe*Man“, will be posted in an upcoming blog post. It is being released to film festivals across the country. For details on ordering CanJoe Company instruments and products, and all inquiries, related, including prices, please contact CanJoe*John at 423-323-0174.

Creating custom designed stringed musical instruments specific to the wishes, desires, tastes, as well as matching personalities and characteristics of the owners of their personal instruments is all about what the CanJoe Company, of Blountville, TN, does best. Occasionally, very absorbing challenges are requested, and more interestingly are that, on occasion, very engaging individuals who these instruments will belong to comes along with the order requests. One such situation occurred when the mother of a very giving young man called in to order for her son, a new instrument as a special Christmas gift.

Thaddeus Bryant, also known as Tad, is a 12 year old young man who has had a history of physical difficulties since birth that have required extensive physical and occupational therapy sessions throughout his young lifetime. In his published biography is noted, “his sweet nature made him a favorite playmate of other children in therapy with much bigger uphill battles. Through his own hard work and grit, and through working one-on-one with other kids, his silver lining was realizing that everyone has a challenge at some point in their lives. He created a strong work ethic for himself, made a habit of using his innate sensitivity and kindness, and developed a desire to help others.”

Tad is a very special human being. He discovered and put into action how with using his personal interests, he could help others. One of his interests began when he was growing up in New York City during his first nine years of life. He was inspired by his dad with the notion that found heads up coins hold auspicious favor; the “pennies from heaven” idea. While living in New York, Tad found many heads up pennies. His mom began to worry that Thaddeus might think that money “literally fell from the sky, so she taught him to divide his findings into categories: savings, spending, kids-in-need, the environment, etc”. Tad took these interests and began helping others, first with a bake sale to generate funds to donate to the non-profit, “Smile Train”, an organization that helps kids needing cleft palate surgery. His effort paid off in gaining enough funds to benefit two children in getting their surgeries. His next venture in helping others came about in getting personally and directly involved with the Bowery Mission, another non profit organization that helps feed homeless people during Christmas. There, Tad utilized his bake sale method to generate enough funds to feed 210 men at Christmas, but, not only donating the generated funds, Tad personally shared his time as he “handed out trays, shook hands, ate with those attending, and participated in prayer” at that event. This encouraged him to start his own foundation.

Having been born into a very music oriented family, his world renowned grandparents as prolific song writers wrote the tune “Rocky Top” among many other # 1 hits, which inspired Tad to write a song, too, about a “Heads Up Penny Night”. It was that song that inspirited him to create and name his non profit organization the “Heads Up Penny Foundation”. The Heads Up Penny Foundation now “changes children’s luck, one penny at a time”. This twelve year old child is realizing his dream of helping others and folks can learn more about how to support his loving, grand efforts of giving by visiting his web site at wwww.headsuppennyfoundation.org.

Now, when Tad’s mom called to order a special, custom designed one-stringed musical canjoe instrument, she indicated that Tad had requested that he wanted only the authentic, original, real deal, hand crafted, specifically and exclusively created by CanJoe*John, himself. In the initial conversation involved in discovering the details relevant to Tad’s history whereas his instrument would be befitting of his personal character and tastes, the choices of materials for his instrument were offered and discussed. One request was that a penny was to be imbedded into his instrument. At first, she requested a common root beer can as the instrument’s resonator, but she quickly learned that in the CanJoe Company shop is a huge collection of unusual cans available and the decision followed that a “Rocky Top” root beer could be used. In researching more details specific of Tad, CanJoe*John noticed that his published photographs often showed him wearing orange clothing, such as shirts with the University of Tennessee’s orange with logos, so instead of root beer, the orange drink “Rocky Top” can was decided. As for the instrument’s finger board, his mom requested the “Premium” level design which is of a select hardwood, in this case she chose mahogany. However, CanJoe*John more than often upgrades the level of his creations, just because, so as a contribution to the soon to be Christmas gift, CanJoe*John chose to create Tad’s instrument by laminating a gorgeous piece of premium grade Chinese cherry with a finger board of beautiful curly maple. The cherry wood originated from a local casket company that uses the extremely exotic, flawless woods as dowels to make the casket handles. The curly maple wood used was indirectly sourced from the Gibson Instrument company as “rejected” material, not perfect enough for a Gibson banjo or guitar, but superbly fit for a super fine CanJoe Company instrument. Inlaid in the instrument’s head stock is a bright, shiny 2012 penny that was literally found heads up in a bank parking lot, and on the face of the head stock is permanently attached a beautiful cut crystal glass star, another trademark symbol used by CanJoe*John since day one of the now over 23 years of being in business. Photos of Tad’s instrument are seen with this blog post:

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For information and all inquiries call the CanJoe Company at 423-323-0174, or 423-612-4320

Still in progress, this specific instrument is currently being created and hand crafted to commemorate the “Tour of Smiles”, a now 23+ year and still ongoing journey that began with a declaration to my wife as she lay dying from cancer. The moniker, “CanJoe*John”, was bestowed by her on one of her toughest days during her illness.

Herschel R. Brown (deceased), the official originator of the earliest design of these instruments, had given one of the very first of his then newly created instruments and that he’d personally made, to me. Using that same instrument to entertain her on that very tough day she was experiencing, it was noticed that even in the worst of times of her suffering, the music from that instrument automatically brought a smile to her face. It was upon that discovery that both the name, “CanJoe*John”, and the “Tour of Smiles” originated. The many embellishments added to this specific instrument are symbols commemorating the journey. Updates and more detailed descriptions, as well as more of the related history surrounding this instrument being created will soon follow. ~ CanJoe*John

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The history of stringed musical instruments using metal cans, tins, any and all metal based canisters, including fuel cans, oil cans, cookie tins, metal boxes or barrels, bread boxes, or even all sizes of food storage and beverage cans, regardless of the metal compositions used, dates back to the earliest origins of these items. The first use of metal canisters for food storage began in the mid 1860s during the US Civil War. Their designs and the metal materials they’re now made from have been improved upon and have continued to be as used in various applications ever since. Some of the first foods having been stored in metal boxes or canisters include cakes, crackers, breads, and prepared meats. Many non-food products, including the early metal cigar boxes dating back to the late 19th century, too, have been shipped, stored and sold to consumers from the very earliest history of metal containers, as well.

Historically, the first marketed use of storing and selling beverages in cans began in the year 1932 when the Kruger beer company, as an experiment, introduced their beverage products in them. The idea was obviously an excellent one as the public embraced the concept quickly and, soon, many beer producers shifted from bottling to using metal cans to ship, store, and market their beverages. The Anheuser-Bush company, began canning their Budweiser product in the year 1936. The earlier designs of beverage containers include the cone tops, the flat tops, the crown tops, and in the 1960s, the easy pull tab tops were introduced which have since evolved to those aluminum cans used today that keep the tabs attached. The first company to adapt the use of metal cans for soda beverages was the Coca Cola company in the year 1960. Quickly, other soda beverage companies also adapted the use of cans for their products. The value of canning beverages vs bottling was discovered to be far more economical for the benefit of both the producers and consumers as being safer, cheaper, much easier to store, ship, chill, and they quickly became the most preferred method as use by the consumers. Earlier metal compositions used in making cans included and began with such metals as steel, tin, and, eventually, aluminum.